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August 06 2012

» So sehr Amerika ... wie Apfelkuchen

Georg Seeßlen zum 50. Todestag von Marilyn Monroe: Erinnerung an eine Zeitenwende, nicht nur im Kino
Reposted fromfeuilleton feuilleton

August 05 2012

» Auf Krawall gebürstet

„Gandu“ fällt völlig aus dem formalisierten Rahmen des indischen Kinos. Sex, Gewalt, Drogen – die anarchische Bilderflut ist der bizarre Gegenentwurf zu Bollywood. von Ekkehard Knörer
Reposted fromfeuilleton feuilleton

» Die Zerstörte

Ihr Sex-Appeal war überwältigend, doch es war nicht der einer selbstbewusst begehrenden Frau. Um massentauglich zu werden, musste sie sich unschuldig geben, und schwach. Gedanken zum 50. Todestag von Marilyn Monroe. von Arno Widmann
Reposted fromfeuilleton feuilleton

July 08 2012

Into the Night - with Terry Gilliam & John Landis

In english with German subs! Online in full length for 7 days - watch it, it's great!
Reposted frommoviesss moviesss

July 06 2012

The Genius of Alfred Hitchcock at the BFI: 10 of his lesser-known gems | Film | guardian.co.uk

Everyone knows the classic Hitchcocks: Psycho, The Birds, The Lady Vanishes. But the summer-long retrospective also includes wonderful films you may not have heard much about; here's 10 often-overlooked Hitchcocks you won't want to miss
Reposted frommoviesss moviesss

June 16 2012

June 12 2012

June 09 2012

March 20 2012

March 04 2012

Will Tremper über Klaus Kinski

Auszüge aus dem Buch "Meine wilden Jahre" über Klaus Kinski.
Reposted fromkinski kinski


Curious about his hero’s transition from originator to adapter, Los Angeles Review of Books Film Editor Jonathan Penner recently sat down with David Cronenberg to discuss the artist’s life and work.
Reposted fromhorrorkabinett horrorkabinett

January 29 2012

» "Der Strom des Digitalen - ein kosmisches Ereignis"

Peter Kubelka erlaubt Aufführungen seiner Filme ausschließlich in diesem Materia. Wie das geht, dass er nun auf DVD erscheint, und was er von neuen Medien hält, fragte Bert Rebhandl.
Reposted fromfeuilleton feuilleton

January 11 2012

They Came. They Sawed.

In 1973 a ragtag group of Texans scrounged up $60,000 and created a film so violent and visionary that it shocked the world. But if you thought The Texas Chainsaw Massacre was strange, then you haven’t heard the story of how it got made.
Reposted fromhorrorkabinett horrorkabinett

December 18 2011

December 08 2011

Portraits de Klaus Kinski

by pascal tissier
Reposted fromkinski kinski

November 30 2011

November 24 2011

Mothers, Killers and Vampires: The Post-Familial Society in “True Blood”

an essay by Katharina Rein on popmatters.com
Reposted fromhorrorkabinett horrorkabinett

November 08 2011

October 30 2011

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